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Teodora Jeremić is an art historian, freelance contemporary art curator, and writer based in Belgrade.
She has several years of experience in working as a curator and art producer in self-organized spaces as well as galleries and has curated a number of solo and group shows. She was working as curator and project manager in Hestia Art Residency Exhibitions Bureau, space focusing on art practices and contemporary issues in Eastern Europe, Latin America and the MENA region. She was one of the organizers and one of the curators of Biennial of Young Artists in Belgrade. In the Museum of Contemporary Art in Belgrade she worked as Art Producer. As writer she was writing for several magazines: BURO, Elle Serbia, City Magazine, Vogue Adria… Currently is appointed as Editorial Director of Vogue Adria.
Teodora’s practice mostly focuses on the research at the intersection of feminist resistance, epistemological thoughts and decolonial practices. Interested in the power relations along the axes of gender, class, race, species and geography, and coming from borderland space, “the Other” of Europe, where Balkan myth meets post-socialist reality and post-yugoslavian traumas and nostalgias, her practice is focused on transitional, liminal, marginal and hybrid, in order to understand how any type of border, knowledge, power and identity is being established as well as how to challenge them. She favors open structures, horizontality and dialogues. Supports and develops projects that are concerned with potential models of resistance to any sort of oppression, decolonization of knowledge, ecology, feminism, corporeality, the abject and abjection theory, food politics. Thinks of curating as a platform for (un)learning, sharing and healing. Believes in experiment and above all the necessity of a transformation and co-construction of the new politics and alliances.
